This paper examines how China leverages cinema as a soft power tool in Brazil, focusing on film festivals, co-productions, and Confucius Institute initiatives. Adopting a poststructuralist approach, it analyzes the strategic narratives embedded in these efforts and their reception by Brazilian audiences. While initiatives like the Looking China Youth Film Project show promise, challenges persist, including Hollywood's dominance and limited audience reach. The delayed 2017 co-production agreement underscores the complexity of bilateral cultural engagement. By highlighting both the potential and limitations of China's cinematic strategy, the paper contributes to understanding the cultural dimensions of China--Latin America relations. [ABSTRACT FROM AUTHOR]
